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 RENI, Guido
 Atalanta and Hippomenes - 1622/25 - Capodimonte Museum, Naples
A bit of history:

GUIDO RENI
(1575 - 1642)

"This composition is calculated and refined. It highlights the contradictory gestures of the unbeatable athlete Atalanta bending down to pick up the golden apple dropped by Hippomenes. Thanks to his stratagem, the youth is about to win the contest. The idea of movement is rendered almost exclusively by the billowing cloaks. The ivory smooth bodies of the two contestants clearly stand out remarkably against the gray-brown background."

Italian painter of popular religious works and critically acclaimed mythological scenes. He was born in Bologna and began to study painting at the age of nine; he joined the Carracci Academy when he was 20. His studies were rounded off by a trip to Rome in about 1600. From that moment on, antique and recent Roman art became his ideals. He admired Raphael unconditionally. He did, however, come to terms with Caravaggio's naturalism in a group of youthful works such as The Crucifixion of St Peter in the Vatican Gallery (1604), where the use of chiaroscuro provided enormous energy.

Guido Reni was a quintessentially classical academic but he was also one of the most elegant painters in the annals of art history. He was constantly seeking an absolute, rarefied perfection which he measured against classical Antiquity and Raphael. Because of this, over the years the Bolognese painter has been in and out of fashion, depending on the tastes of the times. The eighteenth century loved him, the nineteenth century, persuaded by the violent criticism of John Ruskin, hated him. But even his detractors cannot deny the exceptional technical quality of his work nor the clarity of his supremely assured and harmonious brushwork.
 Did you know...   

SOMETHING ABOUT OAK

(Find more on our web site...)


You will never find Italian wines artificially 'oaked'.

How does oak affect the flavour of the finished wine? For red wines, barrels often add a little spice, enhance the structure, and may add some sweet vanillin characters. A white wine that has been fermented and aged in barrels will often have a noticeable nutty, buttery character along with the spice and vanilla characteristics that reds often pick up. Barrel aged wines are generally a little more complex and have a more interesting texture than those aged in tank, although some white grape varieties, rarely benefit from being oaked.

Because new barrels are expensive, their use is usually reserved for premium wines. But winemakers are only human: they want the beneficial effects of oak for their cheaper wines as well, without the high cost. As a result, barrel substitutes have become increasingly popular. These can range from small oak chips in teabag-like nets to barrel staves bolted into the inside of the tank. Results can be variable, and are generally not as good as those achieved by barrels. If you see the words ‘oaked’ on the label of an inexpensive wine without mention of barrels, the chances are one of these alternative techniques has been used. However, it is impossible to find Italian wines artificially aged with chips, as this practice is strictly prohibited by Italian law.



 
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We choose only high quality products and we have no number-driven producers in our catalogue, so in some ways scoring wines is like wandering up and down the National Gallery giving marks to all the different paintings.

These are subjective impressions but there are limited circumstances where a score can be useful: most particularly it can rapidly communicate how much we 'liked' a wine in a qualitative fashion.

We always give a brief tasting review of each product, any comment is appreciated and the most interesting will be published, write us at redbottle@redbottle.com.

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Our rating system explainded:

7/7: CLASSIC
The pinnacle of quality
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Of superior character and style
5/7: SUPERB
A great achievement
4/7: EXCELLENT
Highly Recommended
3/7: VERY GOOD
Often good value; well recommended
2/7: GOOD
A solid, well-make product
1/7: AVERAGE
Suitable for everyday consumption; often good value
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